黃越蘇是一位法國建築師,現居香港。他在亞洲和歐洲各種類型和規模的建築項目中擁有豐富的經驗。憑藉他在數字工具方面的能力,帶來了最先進的設計和有效的方法來控制空間和幾何造型。他同時擅長酒店,辦公室和商業項目。

在加入香港Aedas之前,他曾在法國巴黎Kengo Kuma&Associates和Odile Decq Studio開始了他的職業生涯。 他還積極參與擔任講師的工作,包含近期的香港設計學院,以及曾經在香港大學、香港中文大學、深圳大學。

他畢業於巴黎高等建築學院,並且碩士論文入圍2009年入圍著名的英國皇家建築師學會獎章(RIBA president medal),並獲得了多項獎項和出版物。

重大項目:   
  • 西九龍高鐵總站,中國香港
  • 加拿大Winspear Centre
  • 新加坡星宇表演藝術中心
  • 新加坡裕廊綜合交通樞紐
  • 新加玻Pearl Bank公寓
  • 中國北京大興西紅門商業綜合體
  • 香港海洋公園水世界,中國香港
  • 中國杭州阿里支付總部
  • 中國深圳恒大總部
  • 越南西貢Golden Hill公寓
  • 法國里爾Pentania 住宅
  • 法國巴黎卡尼爾歌劇院餐廳
  • 挪威海濱文化中心
成就:
  • 2013年武漢雙年展,年經優秀建築師講者
  • 2013年Operalab競賽最終入圍
  • 香港南華科技大學年輕建築師講者,2011
  • 2011年Pushinsky劇院設計競賽最終入圍
  • 2010年MarcosMarjan工作坊設計競賽第三名
  • 2009年英國建築師學會Silver President Medal最終入圍
  • 2009年法國冬季特別獎獲獎
项目举例:挪威海濱文化中心

CCNW战略上位于挪威奥斯陆市中心,毗邻重要的渡轮和游轮码头,这个地方提供了面向自然、历史街区和新的条形码区的360度视角,让人惊叹。在奥斯陆码头最繁忙的地方,这个地方不论在这里还是在整个城市的其他地方都已经成为海洋活动的潜在吸引力点。挪威以其保存下来的丰富自然资源而闻名,而它也成为了挪威的旅游潜动力。 在冬季,它的山脉和瀑布能够带给人们完全惊叹的感受,所以其设计意图是重新恢复挪威山所带来的曲径通幽的感觉,并可以让人们在冬季面对任何流体自然冻结的惊艳现象以及自然带来的瀑布。并且垂直的特征也可作为遮阳鳍,但是它的立面是通透的,具有轻盈感的。这座建筑的几何结构慢慢从地面显露出来,使它成为奥斯陆文化中心的新标志。

总的来说,这个建筑体,既有如水波般寒冷的外壳又有着如景观梯田般温暖的内部空间,就像山上正在融化的积雪。尽管项目堆积排列,但内部循环具有高效灵活性,沿着外表面的内部公共循环让游客从建筑内部欣赏奥斯陆的景色。木材的内部装饰主导了空间,让它的内部和外部都给人一种柔和而温暖的亲切感。

Jaenes BONG

Architect Associate Director
M.Arch (FR), RA (DESA Paris) (FR)

Jaenes Bong is a French architect who resides now in Hong Kong with diverse experience in various type and scale of architectural projects in Asia and Europe. With his ability in digital tool, he brings the most upfront design and efficient way in controlling the quality of space and geometry. He specializes in hospitality, office and commercial projects.

He commenced his professional career with Kengo Kuma & Associates and Odile Decq Studio in Paris before joining Aedas in Hong Kong. He is also actively involved in        academic practice as lecturer in Hong Kong such as HKU, CUHK, SZU and most recently HKDI.

He graduated with highest distinction from Ecole Spéciale d’Architecture, Paris with his thesis shortlisted for the prestigious RIBA president medal in 2009. He has received numerous awards as well as publications. 

Significant Projects:
  • West Kowloon Station, Hong Kong, China
  • Winspear Centre, Edmonton, Canada
  •  The Star, Singapore
  • Jurong Integrated Hub, Singapore
  •  Pearl Bank Condominium, Singapore
  •  Daxing Xihongmen Commercial Complex, Beijing, China
  •  Ocean Park Water World, Hong Kong, China
  •  Alipay HQ, Hangzhou, China
  •  Evergrand HQ, Shenzhen, China
  •  Golden Hill Condominium, Saigon, Vietnam
  •  Pentania Residence, Lille, France
  •  Opera Garnier Restaurant, Paris, France
  •  Cultural Centre for Norwegian Waterfront, Oslo, Norway
Achievements:
  • Invited Speaker as Young Architect and Talent at 2nd Wuhan Biennale 2013
  • Shortlisted Finalist for Operalab Competition 2013
  • Invited Speaker as Hong Kong Young Architect at South China University of Technology 2011
  •  Shortlisted Finalist for Pushinsky Cinema Competition 2011
  •  3rd Runner-Up of MarcosMarjan Workshop Competition 2010
  •  RIBA Silver President Medal 2009 (Finalist)
  •  Laureats des Prix Speciale Hiver Award 2009
Publications:
  • Digital Architecture: New Approaches (Editor: Greyscale) 2014
  • Weaving-In-Tension Pavilion – Archdaily 2013
  • Contemporary Digital Architecture: De
Example:   Cultural Centre for Norwegian Waterfront, Oslo, Norway

CCNW is located strategically in the heart of Oslo, Norway. Adjacent to the important ferry and cruise terminals, the site offers tremendous 360-degree view towards the nature, historical district and the new barcode district. In the location with the busiest piers in Oslo, the site has become a potential point of attraction from the sea activities as well as other parts of the city. Norway is very-well known with its preserved natural richness and has become its tourism wanderlust. Astonished by its mountains and waterfalls experience in winter, the design intent is to re-echo the trail experience in Norwegian mountain and confronted by the natural frozen icy waterfall. The vertical features also serve as shading fins but yet the facade is very transparent. The building geometry slowly emerges from the ground up marking its presence as new icon for a cultural centre in Oslo.

In summary, the project itself expresses the coldness on the external shell mimicking the icy waterfall and the warmness in the inside, with soft landscape terraces like the melting snow in the mountain’s valley. Despite the programme stacking arrangement, the internal circulations are kept efficiently flexible. The internal public circulation along the outer façade lets visitors enjoy the Oslo view from inside the building. The timber interior finish dominates the space to introduce a soft and warm welcoming in the inside as well as to the outside.

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